This mornings slip in sunlight moment. The morning light in the studio is amazing. #ceramics #adventure
The view from my office in Tasmania. #ceramics #adventure
Another beautiful Tasmanian sunrise from the back porch of Ridgeline pottery. Whether it’s the time difference or just the fact that I’m so excited to start everyday, we’ve been waking up before the dawn, fixing a coffee and sitting on the porch just appreciating the world and it’s beauty. #adventure #sunrise
Detail of a rock in Tasmania.
One of my favorite things to do, especially when I travel to new places, is make images of textures, patterns and details of a types. This is an excerpt of a few of my favorites from my Tasmania adventure so far. The images are taken from around Ridgeline pottery, where I’m working, and from the lagoon in Cremorne, which is just down the hill, and one of the places we go to gather clay and take swims.
Dustin Fowler and I have spent the first few days of our residency at the Slow Working Institute for Pragmatic Expressionism (SWIPE) working on gathering and processing local Tasmanian materials for the upcoming firing. Ben Richardson, our amazing host, friend and teacher, has done an amazing amount of research with the materials that surround the pottery and has developed a place based making practice that incorporates them into his process at a level that you rarely find these days. It is a passion that both Ben and I share, and it was this interest that initially brought us together in 2006 at the International Woodfire Conference in Flagstaff, AZ.
First day in the workshop. Warming up with some cups of golden clay cast in golden light. #ceramics #adventure #joshcopus
Lunchtime at SWIPE. Hats required. #community #ceramics @ridgelinepottery
Docking up some timber out in the bush with the ute for the upcoming firing. The toilets might flush the other way but chainsaws cut the same downunder. #ceramics #adventure @ridgelinepottery